INVITED TALKS
ENCOUNTERS WITH SCHOENBERG AND STEIN | UCLA | 2024
“Schoenberg over the Dnipro: Free Atonality and Dodecaphony in 1920s Ukraine”
MUSICOLOGY COLLOQUIUM SERIES | PRINCETON UNIVERSITY | 2024
“Rethinking Music History in Central and Eastern Europe”
SHEVCHENKO SCIENTIFIC SOCIETY OF CANADA | 2023
“Decolonizing Ukrainian Art”
SIXTH ANNUAL INTERNATIONAL FORUM “CREATIVE UKRAINE” | KYIV | 2022
“Discovering Ukraine: What Reopening of a Culture Can Give to the World”
COLUMBIA UNIVERSITY HARRIMAN INSTITUTE | 2022
“The Enduring Resonance of Carol of the Bells: Ukrainian Origins and Musical Contexts”
COLORADO MAHLERFEST XXXV SYMPOSIUM | BOULDER | 2022
"Mahler's Nietzsche: Philosophical Resonances in the Early Symphonies”
SHEVCHENKO SCIENTIFIC SOCIETY | EXPERTISE-A-THON FOR UKRAINE | 2022
“Why Defining the History of Ukrainian Art Music is More Important than Ever”
SOUNDING HABSBURG CONFERENCE | NEW YORK CITY | 2022
“Ukraine, the Habsburg Empire, and the Concept of the ‘West’”
UKRAINIAN MUSEUM OF NEW YORK | 2021
“The Impact of Modernity: Late 19th and Early 20th Century Ukrainian Art.”
TEDxCUNY SALON | 2020
Ripple Effects: Why Study the Humanities
COLUMBIA UNIVERSITY HARRIMAN INSTITUTE | 2020
“Between Serialism and Suprematism: Nikolai Roslavets’ Modernist Music.”
WILLIAMS COLLEGE | 2019
“‘Thrice Homeless?’: Music and Identity in Fin-de-Siècle Vienna”
CONFERENCE PRESENTATIONS
THE ASSAULT ON CULTURE: THE HOLODOMOR YEARS | COLUMBIA UNIVERSITY | 2023
“Searching for the Unscored: Music and Musicians and the Holodomor"
POLITICAL MAHLER—GUSTAV MAHLER IM POLITISCHEN KONTEXT | UNIVERSITÄT FÜR MUSIK UND DARSTELLENDE KUNST WIEN | 2023
“They were his brothers—and they were the future’: Mahler’s Lasting Political Resonances in Ukraine”
UN-CONFERENCE ON STEFANIA TURKEWICH: MUSIC AS POLITICS AND GLOBAL/CULTURAL EXCHANGE | EASTMAN SCHOOL OF MUSIC | 2023
“Composer as Archetype: Stefania Turkevych and contemporary Ukrainian music”
MUSIC AS INFORMATIONAL WEAPON IN CONTEMPORARY WAR | LVIV | 2022
“Ukrainian Contemporary Music as a ‘Cultural Weapon’ in the United States”
AMERICAN MUSICOLOGICAL SOCIETY CONFERENCE | NEW ORLEANS | 2022
“‘Peace will defeat war’: Borys Liatoshynsky and the Ukrainian Symphony”
21ST QUINQUENNIAL INTERNATIONAL MUSICOLOGICAL SOCIETY CONGRESS: MUSIC ACROSS BORDERS | ATHENS | 2022
“Re-Evaluating Borders: The Second Viennese School in Soviet Ukraine”
SOUNDING HABSBURG CONFERENCE | NEW YORK CITY | 2022
“‘Vienna of the East:’ Musical Pluralism in Lemberg”
TARAS SHEVCHENKO CONFERENCE | INDIANA UNIVERSITY | 2020
“Artistic Responses to Revolution: The Ukrainian Musical Landscape since 2014”
BETWEEN KYIV AND VIENNA: HISTORIES OF PEOPLE, IDEAS AND OBJECTS IN CIRCULATION AND MOTION | INSTITUTE FOR HUMAN SCIENCES | 2019
“The Roslavets Case: Modern Music from Vienna to Kharkiv”
AMERICAN MUSICOLOGICAL SOCIETY CONFERENCE | BOSTON | 2019
“Reconstructing a National Canon: Ukrainian Orchestral Programming since 2014”
GUSTAV MAHLER TOBLACH WORKSHOP | TOBLACH, AUSTRIA | 2018
“Mahler and Bohemia”
AUSTRIAN STUDIES ASSOCIATION CONFERENCE | BURLINGTON, VT | 2018
“Austria and the East: Mahler’s Multiethnic Music”
WAGNER 1900 | OXFORD UNIVERSITY | 2018
“Art and Revolution: Wagner’s Legacy in Vienna 1900”
NORTH AMERICAN NINETEENTH CENTURY MUSIC CONFERENCE | VANDERBILT UNIVERSITY | 2017
“Overcoming and the Übermensch: Contexts for Mahler’s Benevolent Ambition”
AUSTRIAN STUDIES ASSOCIATION CONFERENCE | CHICAGO | 2017
“Nietzsche, Mahler, and Defining Ambition,”
ROYAL MUSICAL ASSOCIATION CONFERENCE | UNIVERSITY OF LEEDS | 2014
“Whose Nietzsche? Mahler and Strauss’s Treatment of Also sprach Zarathustra”
GERMAN STUDIES ASSOCIATION CONFERENCE | DENVER, CO | 2013
“Nietzsche and Mahler’s ‘Perfectly Self-Contained Tetralogy’”